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Encoding in film
Encoding in film









Once you send your source and assets to the encoding house, keep in mind that the process can be frustrating. Each platform will have different requirements. While this assures that the viewer will have an awesome viewing experience, this sure creates a lot of headaches for both the filmmaker and the video encoding service. Video on demand content and delivery standards are constantly improving.

encoding in film

This would include poster artwork, photo stills, video metadata, your trailer, subtitles and closed captions. As a result, most encoding houses will provide access to special file delivery software or request that you ship your files on an external hard drive.Īsset – In the context of VOD film distribution, your assets are anything outside of your source file.

encoding in film

Most encoding houses will request a completely uncompressed file, which is usually over 100 gigabytes. At this point, you’ll often hear the terms “source” and “asset.” Then later, when you wrap post production, you will want to export your film inline with current delivery specs. As a general rule, you must produce your film in the highest quality. Prepping your film for distribution begins in production.











Encoding in film